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  BLACK COUNTRY COMMUNION TO PLAY TWO EXCLUSIVE CONCERTS IN JANUARY
1st August 2017



black country communion

Black Country Communion will play two exclusive concerts in Europe during January 2018 to support the release of their new album, 'BCCIV'.

The band will play Wolverhampton Civic Hall on Tuesday 2nd January and London Hammersmith Apollo on Thursday 4th January 2018. These will be the only two concerts the band will play in the UK and Europe.

Tickets on sale right here.

black country communion

'BCCIV' will be Black Country Communion's fourth album and will be released via Mascot Records on Friday September 22nd 2017. This is the band's first studio album since 2013s 'Afterglow' and just like its three predecessors, was overseen by Kevin Shirley, whose catalogue of hit records for Led Zeppelin, Iron Maiden, Aerosmith, Journey, The Black Crowes and more has made him the hottest producer that rock music has to offer.

Shirley, who originally had the idea of putting Hughes and Bonamassa in a band after seeing them jamming together onstage in Los Angeles back in November 2009 – is the group's unofficial 'fifth member'.

The initiative for the new album came from Joe Bonamassa, who contacted the band in 2016 to see if they would be up for going back into the studio to write and record a fourth album. Says Joe:

"I just felt the time was right for Black Country Communion to go back into the studio and write and record a new album. When I contacted Glenn, Derek and Jason, they immediately agreed to give it shot. The timing was right."

black country communion

Black Country Communion's inception took place when frontman and Glenn Hughes and Joe Bonamassa fused their styles on stage in Los Angeles in November 2009 for an explosive performance at Guitar Center's King Of The Blues event. With the help and guidance of Kevin Shirley, they further added to their rock lineage by recruiting drummer Jason Bonham and keyboardist Derek Sherinian.

Taking their name from the industrial area in Britain, and the birthplace of both Hughes and Bonham, Black Country Communion released their self-titled debut album in 2010, and with that, unleashed their brand of take-no-prisoners hard rock to a world thirsting for music with substance.

Following the release of another two studio albums, 2011s well-received 'Black Country Communion 2' and 2012s equally impressive 'Afterglow', plus a smouldering live CD released in 2011, 'Live Over Europe', the band firmly established themselves as one of hard rock's premier acts.

They took a hiatus in 2013 and focused on their successful solo careers.

The band regrouped to record 'BCCIV' at Cave Studios in Los Angeles in December 2016.

"I wanted the new album to physically shake your soul. It's a wake-up call." explains Hughes.

black country communion

All songs on the new album were co-written by Glenn Hughes and Joe Bonamassa. Glenn wrote all the lyrics on the album except for the song 'The Last Song For My Resting Place', which was written by Joe. Here's a breakdown of the songs on 'BCCIV' in the words of Glenn:

COLLIDE
"I had written the riff to this song in the morning of the first day of writing 'BCCIV'. Joe came over and I played him the riff, and we finished the song before lunch. I had a feeling that 'Collide' would set the pace for the record."

OVER MY HEAD
"This was a song I had written after a session with Joe. It was kind of like 'One Last Soul' where I had written a song and was unsure if it would fit our style simply because it was more mainstream. 'One Last Soul' definitely clicked with rock fans, and got a lot of radio airplay. 'Over My Head' is in the same ballpark, big groove and memorable chorus. I can hear it on the radio."

THE LAST SONG FOR MY RESTING PLACE
"I was intrigued by the notion of Wallace Hartley (violinist and band leader on the Titanic). The fact that he played everyone off the ship to the detriment of himself brings you back to a more selfless time in our history. I don't believe the conditions are around in 2017 for something or someone like that to step forward and be recognised. I felt that his story and this song played well on this album. His violin is in a private collection and survives to this day."
Joe Bonamassa

"Joe had two parts to this song: the intro and outro where the track is suited with a mandolin and fiddle. The middle part, heavy and dramatic and dark. Absolutely love Joe's vocal on this song. A tale of the Titanic going down into the deep, and a violin that would perish alongside its many fateful passengers."
Glenn Hughes

SWAY
"A swagger riff leads the way on this track. We changed the groove, when Jason suggested it should have a 'Smooth Criminal' Michael Jackson vibe. This was how Jason's Dad, John, would have approached it in Led Zep. I'm mesmerized by the beat in the verse, and when it hits the chorus it's full on Classic Rock, once again the vocal is carrying the message."

THE COVE
"Joe captured the mood brilliantly on this song. I'm still shaking my head in astonishment.

"I wanted to write a song about my love for dolphins. Each year thousands of these beautiful souls are murdered by hunters in the coastal town of Taiji, Japan. They are drove into the Killing Cove and brutally slaughtered. I have been working with Ric O'Barry from the Dolphin Project for four years, and told him I had written a song about this senseless and horrific scenario for 'BCCIV', that has been happening for decades.

"My heart aches as I watch on live stream what happens in the Cove. I ask you all to listen to this song and understand how deeply affected we all are as animal and sea life protectors. The Dolphin Project has changed my life, and to my dying day I will be of service to be a protector of all inhabitants that live in the sea. There will be a video for this song. Thanks to Ric and his son Lincoln for supplying the footage."

THE CROW
"It was time to get up out of our chairs in the writing session and stand up to find a pulse for this rock song. All push and pull, coming and sounding like the Joe and Glenn song 'Black Country' from 'BCC1'. I wanted to reference the Crow, who watches over our band."

WANDERLUST
"Hats off to Joe for bringing this idea into the session with an insane verse groove. Love Derek's grand piano lead into the last verse. I wanted to take the chorus to a very melodic Abbey Road vocal vibe. I've always been a wanderer, always returning, coming home with a sense of lessons learned and never leaving my spiritual path."

LOVE REMAINS
"I wrote this song for my Dad on the flight back to the UK for his memorial service. When I went to record it, my Mom had also just passed away so I sang it for the both of them. I was installed with a greater sense of gratitude. I used a mid-falsetto vocal on the chorus to add sensitivity to the melody that I had written. The content is quite simple. When the last breath is taken only love remains."

AWAKE
"A song about living forever. A song for the loyal. A song for the evergreen. I wanted to ramp up the chorus and relive the long nights of freedom."

WHEN THE MORNING COMES
"The feeling I had with this song, was I had woken up from a dream and walked down the hill through the field to be by the water at my home. Most of my work involves themes of coming home to be by the sea. The last song on this album finds me in a safe place, almost like the ending of the Wizard of Oz, surrounded by Joe, Jason, Derek and Kevin. Our brotherhood - long may we continue."

WITH YOU I GO (Bonus track on vinyl edition only)
"To find someone who can share your journey, is in the hands of fate. We meet many people throughout our lives, some relationships, are life lessons on how we grow and learn.

  "But when you have found or met your significant other, who happens to be your soulmate is absolutely life-changing. 'With You I Go' is a song about, whatever happens, I'm with you, because it was meant to be. I've done my best, now you can rest, on my shoulder."







judas priest



MONSTERS OF ROCK IN FULL FLIGHT SURE TO BECOME FUTURE COLLECTOR'S ITEM

monsters of rock

Monsters Of Rock In Full Flight is strictly limited to 300 worldwide and is available from 30th November but those ordering before 31st October will have their name published within a dedicated page in the book.

It's a deluxe 128 page hardback book in a metal flight case with a narrative by Jerry Bloom.

When promoter Paul Loasby put on the first Monsters Of Rock Festival in 1980 he could probably never have imagined it would become an annual event that would endure for so many years.

Featuring bands from the UK, Germany, Canada and USA, Loasby chose to stage the event at the Donington race circuit in the middle of England and it would prove to be a defining moment for many of the bands on the bill.

Not least for headliners Rainbow as it was the their last ever show to feature drum legend Cozy Powell. As it would happen it turned out to be the last for vocalist Graham Bonnet as well. For many of the other bands on the bill such as Scorpions, Judas Priest and Saxon, they were all on the ascendancy and would soon go on to even greater success.

Now in celebration of this first ever Monsters Of Rock Festival comes this hardback book full of glorious photos of the bands that took to the stage for that inaugural event including back stage shots. Most of these shots have not been published before which add to the uniqueness of this deluxe 128-page book which is packaged in its own flight case.

Also included are stories surrounding the event with tales and recollections from those who were there, including artists and fans alike. Each book will be signed by the author. The 300 will sell fast and definitely go on to become collector's items so order yours now right here to avoid disappointment.












 


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